Many more philosophical questions remain to be examined in relation to erotic art. Yet, again, this gives us far from a waterproof criterion for distinguishing erotic literature from pornography. The Miller test has proved problematic in many respects, one of its most evident flaws being the conflation of two ideas—the pornographic and the obscene Nussbaum For Bell and his fellow formalists, significant form is the only important artistic criterion. Philosophical Essays on Pornography and Objectification , Oxford: Bootylicious Redhead Teen Kitty Nice. Each judgment of beauty is future oriented, is identical with the spark of desire, and contains, in the words of Stendhal, a promise of happiness Stendhal
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Braudy, Leo, , Native Informant: On the contrary, feminists could embrace this conclusion as it implies that their critiques are wider ranging than they at first appear to be see Kania ; Mikkola ed. Cleland, John, , Fanny Hill. University of Minnesota Press. The Metropolitan Museum of Art. As Theodore Gracyk has argued, the morally objectionable character of a representation can never be just a matter of represented subject matter. It will also place those debates in historical perspective and, in the closing section, explore some important avenues for future research.